COURSE UNIT TITLE

: INTAGLIO

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
GRB 2023 INTAGLIO ELECTIVE 2 2 0 5

Offered By

Illustration and Printmaking

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

ASSOCIATE PROFESSOR CEREN BULUT YUMRUKAYA

Offered to

Illustration and Printmaking
Graphic Design
Graphic Arts

Course Objective

The aim of the course is to make the student comprehend the process, material and application of intaglio printmaking and to prepare a background for selfexpression with using the techniques learned.

Learning Outcomes of the Course Unit

1   To be able to define etching and engraving techniques,
2   To be able to applicate etching and engraving techniques
3   To be able to transform etching and engraving techniques into a tool of selfexpression
4   To be able to develop new materials and approaches
5   To be able to work in an order with the classmates
6   To be able to gain the working dicipline in the printmaking studio

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Seminar: Introduction to Intaglio Course outline and introduction to materials used.
2 Project I: Line Composition
3 Project I: Line Composition
4 Project I: Line Composition
5 Seminar: Intaglio Techniques 1
6 Project II: Taint Composition
7 Project II: Taint Composition
8 Project II: Taint Composition
9 Midterm Jurry
10 Seminar: Intaglio Techniques 2
11 Project III: Mixed techniques application
12 Project III: Mixed techniques application
13 Project III: Mixed techniques application
14 Final Jurry

Recomended or Required Reading

The Complete Printmaker, John Ross, Clare Romano, Tım Ross, Free Press, ABD 1990
Printmaking: History and Process, Donald Saff, Deli Sacilotto, Wadsworth Publishing, ABD, 1978
Etching and Engraving, Water Chamberlain, Thames and Hudson, London, 1972

Planned Learning Activities and Teaching Methods

The course depends on studio work. The techniques to be applied about intaglio printmaking are introduced to the students with seminars. Examples are shown and the application process is indicated step by step.

In case of a pandemic or a natural disaster, the techniques are explained to the students on the platform suitable and the applications are made with the materials available.

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 ASG ASSIGNMENT
2 COM COMMITTEE
3 FCG FINAL COURSE GRADE ASG * 0.80 + COM * 0.20


*** Resit Exam is Not Administered in Institutions Where Resit is not Applicable.

Further Notes About Assessment Methods

None

Assessment Criteria

During the course projects are explained to students within the briefs given. If the course can not be performed physically in the studio due to pandemic or natural disasters, the projects are evaluated accordingly with the matrix. If the course is done in the studio then the evaluation will be done with the final prints.

Suitability of the work to the material
Suitability of the work to the theme/subject
The formation of the matrix accordingly to the technique
Clean and true printing of the work
Signing and numbering correctness
Suitable presentation of the print

Language of Instruction

Turkish

Course Policies and Rules

To be announced.

Contact Details for the Lecturer(s)

Assoc. Prof. Ceren BULUT YUMRUKAYA
ceren.bulut@deu.edu.tr

Office Hours

Tuesdays 9-10 am.

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Case study 14 5 70
Preparations before/after weekly lectures 14 3 42
Other activities within the scope of the atelier pratices 5 1 5
TOTAL WORKLOAD (hours) 117

Contribution of Learning Outcomes to Programme Outcomes

PO/LO
LO.1
LO.2
LO.3
LO.4
LO.5
LO.6