COURSE UNIT TITLE

: DRAWING III

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
HYK 3003 DRAWING III ELECTIVE 2 2 0 4

Offered By

Department of Sculpture

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

ASSOCIATE PROFESSOR SEVGI AVCI

Offered to

Graphic
Accessory Design
Cinema and Television
Animation Film Design and Directing
Film Design and Directing
Illustration and Printmaking
Sound Editing and Cinematography
Textile Design
Textile
Sculpture
Film Design and Screenwriting
Fashion Clothing Design
Graphic Design

Course Objective

The aim of this course is to strengthen the memory of the form by analyzing the form of the model through line/drawing and learning the basics of the art of drawing. It also encourages to improve the ability to transform the abstract forms in the mind, abstract concepts into drawing and to be able to make drafts of the sculpture projects.

Learning Outcomes of the Course Unit

1   To be able to drawing without making proportion errors,
2   To study the form in detail through long-session works/practices,
3   To be able to comprehend from with its basic features in short period of time,
4   To be able to use the techniques of drawing aligned with its purpose and nature,
5   To define and apply to practice the methods of drawing according to the purpose.

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Sketches/Etudes of the female body from live model (pencil drawing, charcoal , red sangine, ink, coloured materials, pastel crayons, watercolour etc.) Visual presentation Studying examples of Classical genre
2 Sketches/Etudes of the female body from live model Literature review on the topic of Classical drawing
3 Sketches/Etudes of the female body from live model Homework of reproduction from artist works belonging to the Classical genre
4 Sketches/Etudes of the male body from live model Assesments and follow-up of the works
5 Sketches/Etudes of the male body from live model Assesments and follow-up of the works
6 Sketches/Etudes of the male body from live model Assesments and follow-up of the works
7 Sketches/Etudes of the male body from live model Assesments and follow-up of the works
8 Sketches/Etudes of the male body from live model Visual presentation Studying examples of Classical genre
9 Etudes/sketches of the connection between figure-space Literature review on the topic of Baroque drawing
10 Etudes/sketches of the connection between figure-space Homework of reproduction from artist works belonging to the Baroque genre
11 Etudes/sketches of the connection between figure-space Assesments and follow-up of the works
12 The study of details from live model Assesments and follow-up of the works
13 The study of details from live model Assesments and follow-up of the works
14 The study of details from live model Assesments and follow-up of the works

Recomended or Required Reading

1- Michael JAFFE, The Great Heritage-Renaissance and Baroque Drawings from Chatsworth, National Gallery of Art, Board of Trustees, Washington -1995
Additional Sources: (Renaissance Baroque)
2- Hugo CHAPMAN, Michelangelo Drawings: Closer to the Master, The Trustees of the British
Museum, London-2005
3- Frank ZÖLLNER, Leonardo da VINCI 1452-1519 : The Complete Paintings and Drawing, Taschen,
London- 2003
4- Masterpies From The Hamburger Kunsthalle, Drawing in Rembrandt s Day , Museum Het
Rembrandthuis Rembrandt Information Centre, Amsterdam-2012
5- Editor: Klaus Albrecht SCHRÖDER, (Çok Yazarlı) The Great Masters of The Albertina Michael
Imhof Verlag, Petersberg-2008
6- Raffaele De GRADA, Maitres Du Desin Dictionnaire , Celiv, Paris-1994
7- Mervyn LEVY, Drawing and Sculpture , Adams and Dart, Somerset- 1970
Complementary Materials:
1- Live Model, Skull, Moulages
2- Various publications accesible through internet (film, video etc.)

Planned Learning Activities and Teaching Methods

1-Verbal expression
2- The careful study of examples through visual presentation,
3- Analyzing through visual works/practices, 4-The instructor's observation and guidance of works during the practices,
5- In the assesments, encourage the students to share their experiences, thoughts and problems arising from their own work verbally

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 CLA INCLASS ACTIVITIES
2 ASG ASSIGNMENT
3 ATT ATTENDANCE
4 SKT SKETCH
5 COM COMMITTEE
6 FCG FINAL COURSE GRADE CLA * 0.65 + ASG * 0.10 + ATT * 0.10 + SKT * 0.05 + COM * 0.10

Further Notes About Assessment Methods

Developmental asssesment methods are based on supporting the student to comprehend/ understand and express this outlook of subject matters. The student is encouraged to attend classes as relevant as possible, as well as the consistent and active communication between the lecturer and the student is to be planned under the guidance of the lecturer. Initially main themes are explored in the course. Researchs are made in practical ways. In the assesments, students are to express their knowledge, ideas and arising problems related to their experiences of their own work.

Assessment Criteria

The student must 1- continually attend the classes,
2- The work he/she undertakes in the context of the course; must be of high quality in terms of technique and artistry ,
3- Performance in the classes,
4- The number of works,
. 5- Works are to be harmonious with the context.

Language of Instruction

Turkish

Course Policies and Rules

The student must 1- Attend at least %80 of the lecture,
2- To meet the requirements of bringing to the class the relevant materials to be used in the practices,
3- Comply with the pre-arranged callender during the lessons.

Contact Details for the Lecturer(s)

Assist Prof. Sevgi AVCI
sevgi.avci@gmail.com

Office Hours

On Wednesday: beetwen 13:30 and 17:00

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures (Theory) 14 2 28
Tutorials (Practice in Studio.) 14 2 28
Before and after the lecture (reading texts, articles, etc.) 14 1 14
Preparations for presentation and assignment 1 14 14
Sketch book 14 1 14
Estimation (End of Term) 1 4 4
TOTAL WORKLOAD (hours) 102

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14PO.15PO.16PO.17PO.18PO.19
LO.13
LO.21
LO.3
LO.45
LO.55