COURSE UNIT TITLE

: DRAWING I

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
HYK 2003 DRAWING I ELECTIVE 2 2 0 4

Offered By

Department of Sculpture

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

ASSOCIATE PROFESSOR SEVGI AVCI

Offered to

Graphic
Accessory Design
Cinema and Television
Animation Film Design and Directing
Film Design and Directing
Illustration and Printmaking
Sound Editing and Cinematography
Textile Design
Textile
Sculpture
Film Design and Screenwriting
Fashion Clothing Design
Graphic Design

Course Objective

The aim of this course is to introduce: the characteristics of drawing, its main component line, various types of drawing, drawing methods, its tenets and techniques. As well as developing the ability to see through drawing-etudes of organic and inorganic subjects, and to improve the ability to perceive and to form.

Learning Outcomes of the Course Unit

1   To be able to use drawing's basic component 'line' to depict what he visually sees,
2   To research varieties of line, and ways of expression through line,
3   3. To put into practice the drawing methods,
4   To use the pencil-drawing technique in order to create forms based on observation,
5   To define tenets of drawing and to be able to put it into practice

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Definition od drawing, introduction of materials Verbal expression
2 Definition of line, different types of line Expression through visual presentation
3 Exercises of line Assesments and follow-up of the works
4 Basic tenets of drawing; Perceiving the whole Practical/experimental study, assesments and follow-up of the works
5 Basic tenets of drawing; Seeing in the reciprocal context of whole-part Practical/experimental study, assesments and follow-up of the works
6 Varieties of drawing; 1-Line-based drawing, 2- Shadow-based drawing Expression through visual presentation
7 Varieties of drawing; Study of the line-drawing examples Expression through visual presentation, drawing exercises and follow-up of the works
8 Drawing techniques; to examine pencil-drawing Expression through visual presentation
9 Study of forming through line Assesments and follow-up of the works
10 Study of forming through line Assesments and follow-up of the works
11 Study of forming through line Assesments and follow-up of the works
12 Methods of drawing; Geometric Practical/experimental study, assesments and follow-up of the works
13 Methods of drawing; Constructive Practical/experimental study, assesments and follow-up of the works
14 Methods of drawing; Expressionist Practical/experimental study, assesments and follow-up of the works

Recomended or Required Reading

1- Gottfried BAMMES, Studien zur Gestalt des Menschen , E.A SEEMANN,Leipzig-2001
2- Gottfried BOMMES, Der Nackte Mensch, Veb Verlag Der Kunst, Dresden
3- Michael JAFFE, The Great Heritage-Renaissance and Baroque Drawings from Chatsworth ,
National Gallery of Art, Board of Trustees, Washington -1995
4- Hugo CHAPMAN, Michelangelo Drawings: Closer to the Master , The Trustees of the British
Museum,London-2005
5- Frank ZÖLLNER, Leonardo da VINCI 1452-1519 : The Complete Paintings and Drawing , Taschen,
London- 2003
6- Editor: Klaus Albrecht SCHRÖDER, (Çok Yazarlı) The Great Masters of The Albertina Michael
Imhof Verlag, Petersberg-2008
7- Raffaele De GRADA, Maitres Du Desin Dictionnaire , Celiv, Paris-1994

Planned Learning Activities and Teaching Methods

1-Verbal expression,
2- The careful study of examples through visual presentation,
3- Analyzing through visual works/practices,
4-The instructor's observation and guidance of works during the practices,
5- In the assesments, encourage the students to share their experiences, thoughts and problems arising from their own work verbally

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 CLA INCLASS ACTIVITIES
2 ASG ASSIGNMENT
3 ATT ATTENDANCE
4 SKT SKETCH
5 COM COMMITTEE
6 FCG FINAL COURSE GRADE CLA * 0.65 + ASG * 0.10 + ATT * 0.10 + SKT * 0.05 + COM * 0.10

Further Notes About Assessment Methods

Developmental sssesment methods are based on supporting the student to comprehend/understand and express this outlook of subject matters. The student is encouraged to attend classes as relevant as possible, as well as the consistent and active communication between the lecturer and the student is to be planned under the guidance of the lecturer. Initially main themes are explored in the
course .Researchs are made in practical ways. In the assesments, students are to express their knowledge, ideas and arising problems related to their experiences of their own work.

Assessment Criteria

The student must 1- continually attend the classes,
2- The work he/she undertakes in the context of the course; must be of high quality in terms of technique and artistry ,
3- Performance in the classes ,
4- The number of works,
5- Works are to be harmonious with the context..

Language of Instruction

Turkish

Course Policies and Rules

The student must 1- Attend at least %80 of the lecture,
2- To meet the requirements of bringing to the class the relevant materials to be used in the practices,
3- Comply with the pre-arranged callender during the lessons.

Contact Details for the Lecturer(s)

Assist. Proff. Sevgi AVCI
sevgi.avci@gmail.com.

Office Hours

On Wednesdays : Between 13:30-17:00

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures (Theory) 14 2 28
Tutorials (Practice in Studio) 14 2 28
Before and after the lecture (reading texts, articles, etc.) 14 1 14
Preparations for presentation and assignment 1 14 14
Sketch book 14 1 14
Estimation (End of Term) 1 4 4
TOTAL WORKLOAD (hours) 102

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14PO.15PO.16PO.17PO.18PO.19
LO.13331333
LO.233331333
LO.333331333
LO.433331333
LO.533331333