COURSE UNIT TITLE

: CONTEMPORARY THEATRE AESTHETICS II

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
SSA 6046 CONTEMPORARY THEATRE AESTHETICS II ELECTIVE 3 0 0 6

Offered By

Performing Arts

Level of Course Unit

Third Cycle Programmes (Doctorate Degree)

Course Coordinator

PROFESSOR ÖZDEMIR NUTKU

Offered to

Performing Arts

Course Objective

Introducing Contemporary Theatre Aesthetics with various examples. Survey of Performance Art improved over the relationship of Post-Modern theater and music, visual and plastic arts according to historical avantgarde ; introducing examles and pioneers, survey of improvement of show within contemporary art, modern art and conceptual art.

Learning Outcomes of the Course Unit

1   Improving the Ability to Get Theoretical Information in the Field of Performing Arts
2   Improving Cultural Accumulation in the Field
3   Ability to Do an Academic Research an Evaluate the Results
4   Being Able to Interpret and Criticise Comperatively
5   Interpretation of Art Genres and Movements from a Historical Perspective Expected.

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 German Theater After 1968 - 1
2 German Theater After 1968 - 2
3 Movie: Three Penny Opera
4 World of Bertolt Brecht
5 Theater Theories of Brecht
6 Shor Movies (Arturo Ui, Mother Courage)
7 Epic/Dialectic Theater and Brecht
8 Movie: Mahagonny s Rise and Fall (Epic Opera)
9 Contemporary French Theater
10 Movie: Notre Dame de Paris (Musical)
11 Presentation
12 British Theater After World War II
13 Movie
14 Italian Theater After 1968, Contemporary Russian Theater
15 New Developments In Other Countries

Recomended or Required Reading

Primary Source: Oyunculuk Tarihi 2, Dünya Tiyatrosu Tarihi 2 (Özdemir Nutku) Contributive Sources:
Aragon, Luis, Gerçek Dünya, çev.: Selâhattin Hilav, Kök Yayınları, Istanbul 1968.
Bachelard, Gaston, Mekânın Poetikası, Çev.: Aykut Derman, Kesit Yayıncılık, Istanbul 1996.
Billiet, Joseph, Sosyal Oluşum ve Sanat, Çev. Mehmet H. Doğan, Kovan Yayınevi, Istanbul 1966.
Biner, Pierre, The Living Theatre, trans. by Robert Meister, Avon Books, New York 1972.
Boal, Augusto, The Theatre of the Oppressed, çev. Charles A. - M. Odilia McBride, New York 1979.
Boal, Augusto, Games for Actors and Non-Actors, Routledge Press, New York 1992.
Boal, Augusto, The Rainbow of Desire, Routledge Press, New York 1995.
Brook, Peter, The Empty Space, Middlesex 1968.
Brook, Peter, The Shifting Point, Methuen Drama, London 1987.
Brook, Peter, There Are No Secrets, Methuen Drama, London 1995.
........

Planned Learning Activities and Teaching Methods

Evaluation of the theoretical introduction, research and examples

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 MTE MIDTERM EXAM
2 ASG ASSIGNMENT
3 FCG FINAL COURSE GRADE
4 FCGR FINAL COURSE GRADE (RESIT) MTE * 0.20 + ASG * 0.20 +FCG * 0.60
5 RST RESIT
6 RST RESIT MTE * 0.20 +ASG * 0.20 +RST * 0.60


Further Notes About Assessment Methods

None

Assessment Criteria

Evaluation methods are valid.

Language of Instruction

Turkish

Course Policies and Rules

To be announced.

Contact Details for the Lecturer(s)

To be announced.

Office Hours

To be announced.

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 14 3 42
Preparations before/after weekly lectures 6 5 30
Preparation for midterm exam 1 15 15
Preparation for final exam 1 20 20
Preparing assignments 2 15 30
Final 1 3 3
Midterm 1 3 3
TOTAL WORKLOAD (hours) 143

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14
LO.155
LO.25
LO.35
LO.45555
LO.555