COURSE UNIT TITLE

: VISUAL DESIGN AND PHOTOGRAPHY COMPOSITION II

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
FTZ 1002 VISUAL DESIGN AND PHOTOGRAPHY COMPOSITION II COMPULSORY 2 0 0 3

Offered By

Department of Photography

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

ASISTANT PROFESSOR SADIK TUMAY

Offered to

Photography

Course Objective

Being aware of the elements of the aesthetic use of photographic expression, annotated examples show primarily to evaluate the elements of aesthetic effect. It aims to provide analytical and critical thinking and expressional for their photographic design.

Learning Outcomes of the Course Unit

1   Being aware of the elements of design to use photographic aesthetic expression
2   To See and evaluate the elements of the photographic aesthetic effect
3   To develop visual thinking concepts rather correlated with the effect of photographic creativity
4   To create awareness of shape of Photographic style.
5   To express analytical thinking for photographic design

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Aesthetic Expression and Style on basic photographic design.
2 Aesthetic Expression and Style on basic photographic design.
3 Aesthetic Expression and motion on basic photographic design.
4 Aesthetic Expression and motion on basic photographic design.
5 Aesthetic Expression and rhythm on basic photographic design.
6 Aesthetic Expression and harmony on basic photographic design.
7 Expression and simplicity on basic photographic design.
8 Beatiful and niceimpact on basic photographic design.
9 Aesthetic influence and other factors on basic photographic design.
10 Midterm exam
11 Sense, function and form on basic photographic design.
12 Basic Form Elements of Photographic Design. Size, Proportion, Balance, December, Direction
13 Photo shooting
14 Photo shooting Assesment

Recomended or Required Reading

T.Grill,M.Scanlon, Fotoğrafta Kompozisyon, Ç:N.Sipahi, Homer Kitabevi,Ist,2003
Faruk Atalayer,Temel Sanat Öğeleri,A.Ü.Y,Eskişehir 1994
Berger John, Görme Biçimleri,Çev:Y. Salman,Metis Yay.,Ist,1995
Faruk Akbaş, Fotoğraf Teknik Okumaları, ,Om Yayınevi,Istanbul, 2003
Levend Kılınç, Fotoğraf Başlarken, Dost Yayınevi,Ankara,2002
W.Kandinsky, Sanatta Zihinsellik Üstüne, Ç:T.Turan,Y.K.Y,Ist,1993
A.Friedman,J.F.Pile,F.Wilson, Interior Design, American Elsevier Inc.NewYork,1970
Lillian Garrett, Visual Design, Robert E.Krieger Pub.Com.NewYork,1967
J.P.Montier, H.C.Bresson, The Artless Art,T and H,Paris,1995
Aydemir Gökgöz, Fotoğrafçılık, Odak Yayınevi, Ist, 1985
Nicholas Jenkins, Photo Graphics, A Van Nostrand, Reınhold Book, New York,1973
Lee Frost, The A-Z of Creative Photography, Amphoto Boks,New York,1998
A.Genç,A.Sipahioğlu, Görsel Algılama, Sergi Yayınevi,Izmir,1990
R.Arnheim, Art and Visual Perception, University Of California Pres,London,1972

Planned Learning Activities and Teaching Methods

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 MTE MIDTERM EXAM
2 ASG ASSIGNMENT
3 FIN FINAL EXAM
4 FCG FINAL COURSE GRADE MTE * 0.30 + ASG * 0.10 + FIN * 0.60
5 RST RESIT
6 FCGR FINAL COURSE GRADE (RESIT) MTE * 0.30 + ASG * 0.10 + RST * 0.60

Further Notes About Assessment Methods

None

Assessment Criteria

To be announced.

Language of Instruction

Turkish

Course Policies and Rules

To be announced.

Contact Details for the Lecturer(s)

To be announced.

Office Hours

To be announced.

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 14 2 28
Preparations before/after weekly lectures 10 2 20
Preparation for midterm exam 1 5 5
Preparation for final exam 1 7 7
Field study 1 6 6
Midterm 1 2 2
Final 1 2 2
TOTAL WORKLOAD (hours) 70

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14PO.15PO.16PO.17PO.18PO.19PO.20
LO.133322332132232122232
LO.233322332132232122232
LO.33332233213223222232
LO.4333223321212223232
LO.5333233313223232232